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Cranes and Serpents

Cranes and Serpents

蛇座鳳鳥鼓架

475–221 BCE

Lacquered wood with polychromy

Overall: 132.1 x 124.5 cm (52 x 49 in.)

Purchase from the J. H. Wade Fund 1938.9

Did you know?

The cranes' long necks allowed a light-weight drum to be suspended from strings through the beaks, while the densely intertwined snakes provided a weighty base to stabilize the object during musical performances.

Description

A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.

This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.

The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.

Video

Cranes and Serpents - Chinese language version
Cranes and Serpents
Drum Stand
Conservation Examination
A Touchstone
See also

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