Images

https://piction.clevelandart.org/cma/ump.di?e=DDE0FF6AA26232ADF35672EEF88BA8330BA632DEF375176A09E2D79D6BAAA64E&s=24247294&se=884241290&v=7&f=1940.530_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=903578D018769147D37C217ACB3779B5AB0A7B803ADA4404DC0DD9572C619271&s=24247294&se=884241290&v=1&f=%5C1940.530det01_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=B17CE4B9C550282DCCD3611149E6C92CD3B7FCF3F2DFB14181E2ABECD04505DD&s=24247294&se=884241290&v=1&f=%5C1940.530det02_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=B17CE4B9C550282DB7DA84270BD03E9A6BDBF79677CD54E2F66786856A8F5872&s=24247294&se=884241290&v=1&f=%5C1940.530det03_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=E3D208950C01CD4916207F54C0D0A521423B8ACEBB08EA01B65208DC8DB676BD&s=24247294&se=884241290&v=1&f=%5C1940.530det04_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=60096EC29677A4E845D9E0CAA51A47CE0379A43BC08EDDA84CCEB80163D12C89&s=24247294&se=884241290&v=1&f=%5C1940.530det05_o2.jpg

Additional Views

Jul 14, 2011

Cloth with Procession of Figures

170 BC-AD 70 (radiocarbon date, 95% probability)

Central Andes, South Coast, Nasca people, 100 BC-AD 700, Early Intermediate Period, 1-650

Cotton and pigment (field); camelid fiber (borders and fringe)

Overall: 69.8 x 280.7 cm (27 1/2 x 110 1/2 in.); Mounted: 78.7 x 290.2 cm (31 x 114 1/4 in.)

The Norweb Collection 1940.530

Find spot: Said to have been excavated from the necropolis at Cerro Colorado on the Paracas Peninsula, Peru

Location

not on view

Did you know?

Characteristics of the pampas cat and the emperor tamarin monkey are visible in the marching figures.

Description

Experts agree that this cloth is one of the greatest paintings to survive from Andean antiquity due to the realism, complexity, large size, and refined execution of its figures. All but one of the figures wear the whiskered mouth mask of Nasca supernatural beings and several carry or wear severed human heads, which the Nasca linked to nature’s fruitfulness. Thus, the figures seem to represent supernatural forces or humans personifying such forces during a ritual devoted to agricultural fertility. Originally, the panel was attached along its upper edge to a dark blue cloth of equal size. The complete textile may have served as a mantle (a shawl-like garment), a hanging, or a funerary offering.

Provenance

?-1940

Emery May Holden Norweb (1895-1984) and Raymond Henry Norweb (1894-1983), Cleveland OH, given to the Cleveland Museum of Art

1940-

The Cleveland Museum of Art, Cleveland, OH

Citations

Wilson, Kax. A History of Textiles. Boulder, Colo: Westview Press, 1979. plate 108

Méry, Fernand, and Emma Street. The Life, History and Magic of the Cat. 1978. p. 26

Grieder, Terrance, "Demons and Discipline in Ancient Peru." Art News LXVII (October 1968) p. 42 fig. 43

The Tiger's Eye. 1, no.5 (October, 1948) 83, fig.76

Bennett, Wendell C. and Bird, Junius Bouton. Andean Culture History. American Museum of Natural History, Handbook Series 15. (New York, NY: American Museum of Natural History, 1949.) p.287, fig. 57

Hissink, Karin and Hahn, Albert. Die Tacana, I Erzahlungsgut. Universitat Frankfurt am Main. Frobenius-Institut Veroffentlichungen. (Stuttgart: Kohlhammer, 1961.) p. 549

Dockstader, Frederick J. "Indian Art of the Americas Before and After Columbus." Art in America. XLIX, no. 3 (1961.) p. 24

Kubler, George. The Art and Architecture of Ancient America: The Mexican, Maya, and Andean Peoples. (Baltimore, MD: Penguin Books, 1962.) p. 296, pl. 172a

Glubok, Shirley. The Art of Ancient Peru. (New York: Harper & Row, 1966.) p. 28

Hawley, Henry. "Pre-Columbian Art at Cleveland." Apollo. LXVIII (December, 1963.) p.491, pl. XVI

Art of the Americas: Picture Book No. 2. (Cleveland, OH: The Cleveland Museum of Art,1946.) pl. 10

Frame, Mary. “Cronología de los fardos funerarios de Wari Kayan, Paracas Necrópolis.” Hilos del pasado: el aporte francés al legado Paracas. Lima: Instituto Nacional de Cultura, 2007. 35, 43-44, 46

Milliken, William M. "Exhibition of the "Art of the Americas"." The Bulletin of the Cleveland Museum of Art 32, no. 9 (1945) cat. no. 10 www.jstor.org

"Art and Archaeology at the Cleveland Museum of Art." Archaeology 6, no. 4 (1953) p. 201 www.jstor.org

Bennett, Wendell Clark. Ancient Arts of the Andes. New York: Museum of Modern Art, 1954. p. 56, figs. 58, 60

Museum of Modern Art (New York, N.Y.), and Wendell Clark Bennett. 32 Masterworks of Andean Art from the Exhibition Ancient Arts of the Andes. 1955. p. 59, Cat. No. 56, Fig. 58, Pl. 2, Fig. 60

"The Cleveland Museum of Art." Arts 30, no. 2 (November, 1955). p. 42

The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 343 archive.org

Hawley, Henry. "Pre-Columbian Art at Cleveland." Apollo. LXVIII (December, 1963). p. 491, pl. XVI

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 296 archive.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 296 archive.org

The Little Art Book Series. Introduction by Sherman E. Lee; texts for the reproductions by the curators of the departments of the museum. Ed. Berthold Fricke. (Hannover, Germany: Knorr & Hirth, 1970) p. 85

Meggers, Betty Jane. Prehistoric America. Chicago: Aldine·Atherton, 1972. p. 81, fig. 51

Rowe, Ann P. "Interlocking Warp and Weft in the Nasca 2 Style." Textile Museum Journal III, no. 3 (December, 1972). p. 74, fig. 10

Junius B. Bird Pre-Columbian Textile Conference, Junius Bouton Bird, Ann Pollard Rowe, Elizabeth P. Benson, and Anne-Louise Schaffer. The Junius B. Bird Pre-Columbian Textile Conference, May 19th and 20th, 1973. 1979. p. 131, fig. 2

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 400 archive.org

Cleveland Museum of Art, and Adele Z. Silver. Guide to the Galleries. Cleveland, Ohio: Cleveland Museum of Art, 1981.

Benson, Elizabeth P., and William J. Conklin. Museums of the Andes. New York, N.Y.: Newsweek, 1981. p. 29

Kajitani, Nobuko. Andesu no senshoku. Kyoto: Kyoto Shoin, 1982. p. 37, plate 40

Saunders, Nicholas J. People of the Jaguar: The Living Spirit of Ancient America. 1989. p. 138

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1991. Reproduced: p. 12 archive.org

Turner, Evan H. Object Lessons: Cleveland Creates an Art Museum. Cleveland: Cleveland Museum of Art, 1991. p. 43

Cleveland Museum of Art. Interpretations: Sixty-Five Works from the Cleveland Museum of Art. 1991. no. 43

Konig, Viola. “Don Luys II” Baessler-Archiv. Beitrage zur Volkerkunde Bd. 41 (1993). p. 153, abb. 3

Dumbarton Oaks, and Elizabeth Hill Boone. Andean Art at Dumbarton Oaks. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1996. pp. 344, 359-360, figs. 122, 127, pl. 99

Lavalle de Cárdenas, Rosario de, and José Antonio de Lavalle. Tejidos Milenarios Del Perú = Ancient Peruvian Textiles. [Erscheinungsort nicht ermittelbar]: Integra AFP, 1999. p. 182-3, pl. 30

Fagan, Brian M., and Nadia Durrani. World Prehistory: A Brief Introduction. 2020. p. 329

Silverman, Helaine, and William Harris Isbell. Andean Archaeology II: Art, Landscape, and Society. New York: Kluwer Academic/Plenum Publishers, 2002. p. 93, fig. 3.8

Cáceres Macedo, Justo, and Justo Cáceres Macedo. Tejidos del Perú prehispánico = Textiles of the prehispanic Peru. Lima, Peru: Justo Cáceres Macedo, 2005. p. 376

Fagan, Brian M., and Christopher R. DeCorse. In the Beginning: An Introduction to Archaeology. Upper Saddle River, N.J.: Pearson Prentice Hall, 2005. p. 278, fig. 11.18

Palmero, Paola Buratti. Mantas di Jasimaná: l'abilità tessile di un'antica etnia delle Ande Argentine. [Biella]: Progetto Ermanno, 2006. p. 40, fig. 6

Frame, Mary. “Cronología de los fardos funerarios de Wari Kayan, Paracas Necrópolis.” Hilos del pasado: el aporte francés al legado Paracas. Lima: Instituto Nacional de Cultura, 2007. p. 35, 43-44, 46

Cleveland Museum of Art, David Franklin, and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2012. pp. 42-3

Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 341

Boucherie, Nathalie, Witold Nowik, Dominique Cardon, "Etude de Colorants d'une Offrande textile (Y16) Exceptionnelle, decouverte dur le Site de Cahuachi (Culture Nasca)," Techne No. 41 (2015). pp. 47-54

Fagan, Brian M. Ancient Lives: An Introduction to Archaeology and Prehistory. 2017. p. 418

Exhibition history

Ancient Arts of the Andes, The Museum of Modern Art, New York, NY (January 26- March 26, 1954).

Treasures of Peruvian Gold, The Cleveland Museum of Art, Cleveland, OH, (February 23- March 3, 1966).

Gallery 107 textile rotation. The Cleveland Museum of Art, Cleveland, OH (November 21, 2001-November 18, 2002).

Art of the Americas. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 9, 1945-January 6, 1946).

Andean Gallery 107 Rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 21, 2001-November 18, 2002).

Gallery 232- Andean Textile Rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 30, 2016-August 21, 2017).

Ancient Andean Textiles (Ancient Andean textile rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 4, 2021-December 4, 2022).

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{{cite web|title=Cloth with Procession of Figures|url=https://clevelandart.org/art/1940.530|year=170 BC-AD 70 (radiocarbon date, 95% probability)|access-date=02 November 2023|publisher=Cleveland Museum of Art}}

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Cloth with Procession of Figures

Cloth with Procession of Figures

Central Andes, South Coast, Nasca people, 100 BC-AD 700, Early Intermediate Period, 1-650

Location

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Description

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