Images

https://piction.clevelandart.org/cma/ump.di?e=F63DB3D5527725BB86B3F844D746C59653C0E4C796FD9CD57931CBC97E651028&s=24247294&se=850445629&v=0&f=1967.127_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=D62A16D5DFC0F08A5DAAF201D4E7DD55BDD684E03FC0D2F9719387953AD9D23D&s=24247294&se=850445629&v=6&f=1967.127_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=1C57EE1823B77A2879CEA3C75B4DC81CF9C54A834CD72C752411C89E1873D631&s=24247294&se=850445629&v=0&f=1967.127_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=D62A16D5DFC0F08A4F9D1C80FAB4AFDFB0507688A4656E3AF37FC097839400E7&s=24247294&se=850445629&v=1&f=%5C1967.127det01_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=F9EACC120BA79796D2E178A532ADE54FDCA1184E86F6DE39D6487E996B9F877B&s=24247294&se=850445629&v=1&f=%5C1967.127det02_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=F9EACC120BA797967AD5218DE3192C5200BA413FE04F2894BED1EF55866A0900&s=24247294&se=850445629&v=1&f=%5C1967.127det03_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=93243FEA8C27016BF02CB46856EBED45ECEC159B5419D741459EDE5380CEEC58&s=24247294&se=850445629&v=1&f=%5C1967.127det04_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=93243FEA8C27016B1C1C26590FF3DA5E79FFDB22D0C6AB228361B36486D7FDDE&s=24247294&se=850445629&v=1&f=%5C1967.127det05_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=93243FEA8C27016B699D051D70C1124844D95DAED2ED59C88F2F0873F9E7AFA4&s=24247294&se=850445629&v=1&f=%5C1967.127det06_o2.jpg

https://piction.clevelandart.org/cma/ump.di?e=D8CE5E0F580F1866E4E92097D28FD7A0A09B8D051E5883E8B3BBBEA735B30E7A&s=24247294&se=850445629&v=1&f=%5C1967.127det07_o2.jpg

Additional Views

May 10, 2016

Jan 30, 2006

Dec 20, 2013

Jan 30, 2006

Feb 1, 2006

Jan 31, 2006

Battle of the Nudes

1470s–80s

Antonio del Pollaiuolo

(Italian, 1431/32–1498)

Italy, 15th century

Engraving

Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.); Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.)

Purchase from the J. H. Wade Fund 1967.127

Catalogue raisonné: Hind I,191,D.I.1 ; Bartsch XIII.202.2

Location

not on view

Did you know?

Considered a groundbreaking work in the history of the Italian Renaissance, the CMA holds the only known impression of the print's first state.

Description

This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses. The print may have functioned as a model for workshop apprentices studying human anatomy while learning to draw; however, the artist’s Latin signature suggests it also had an audience educated in literature. Art historians remain uncertain whether Pollaiuolo intended to depict a particular story or historical event. It is possible he created a deliberately ambiguous allegory that would appeal to patrons interested in interpreting symbols. For example, the continuous chain shared by the two central men could refer to an ancient idea that the body is the chain of the soul, only to be released in death.

Citations

Langdale, Shelley R., and Antonio Pollaiolo. Battle of the Nudes: Pollaiuolo's Renaissance Masterpiece. [Cleveland]: Cleveland Museum of Art, 2002. exh. cat. number 1, p. 2 www.jstor.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 79 archive.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 91 archive.org

Driscoll, Ann. "The Pig Painter: Parties, Poets, and Pollaiuolo." The Bulletin of the Cleveland Museum of Art 80, no. 3 (1993): 83-111. Reproduced: p. 99; Mentioned: p. 97-111 www.jstor.org

May, Sally Ruth. Knockouts: a pocket guide. Cleveland: Cleveland Museum of Art, 2001. Reproduced: no. 115, p. 102 - 103

Langdale, Shelley R., "Mastering the Human Form", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 42 no. 06, Summer 2002 Mentioned & reproduced: p. 6-7 archive.org

Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 347-348

Berti, Luciano, Federica Chezzi, Antonio Natali, and Mario Sperenzi. Botticelli: approccio nel nuovo millennio. Firenze: Centro Di, 2015. Mentioned; p. 62; Reproduced: p. 64

Olszewski, Edward J. "Michelangelo's David: Full Frontal Nudity in the Age of Savonarola." Source: Notes in the History of Art. v. 35 no. 1/2 (2015/2016): 118-125 Mentioned and reproduced: pp. 120-121

Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016. Mentioned and Reproduced: P. 16

Schulz, Anne Markham. The History of Venetian Renaissance Sculpture, Ca. 1400-1530. London : Harvey Miller Publishers, 2017. Mentioned p. 162; Reproduced fig. 53

Nethersole, Scott. Art and Violence in Early Renaissance Florence.
New Haven, Connecticut : Yale University Press, 2018 Mentioned and Reproduced: p. 20, 34, 116-117, 176-182, 179. figs. 6, 79,144,147

Rubin, Patricia Lee. Seen from Behind: Perspectives on the Male Body and Renaissance Art. New Haven : Yale University Press, 2018. Mentioned and Reproduced: p. 40-41, 122-123, 213, pl. 1.41, 4.14, 6.33

Heisterberg, Marion. Zwischen exemplum und opus absolutum: Studien zum Abzeichnen im italienischen Tre- und Quattrocento zwischen Mustertransfer und Kopie. 2020. Reproduced and mentioned; pp. 421-422, fig. 265

Raphael, and Francesco Federico Mancini. Fortuna e mito di Raffaello in Umbria. 2021. Mentioned and reproduced: pp. 146-148, fig. 5

Exhibition history

Italian Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 30-February 25, 1968).

Albrecht Dürer - 500th Anniversary. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 19-March 28, 1971).

Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971).

Connoisseurship in Italian Figural Compositions. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 1980-February 15, 1981).

Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991).

CASVA (Curatorial/Conservation Colloquy in conjunction with the Center for Advanced Study in the Visual Arts). National Gallery of Art, Landover, MD (organizer) (June 19-21, 2000).

Battle of the Nudes: Pollaiuolo's Renaissance Masterpiece. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 25-October 27, 2002).

Treasures on Paper from the Collection of the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 9-June 8, 2014).

Gods and Heroes: Ancient Legends in Renaissance Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26-December 31, 2017).

Cite this page

{{cite web|title=Battle of the Nudes|url=https://clevelandart.org/art/1967.127|author=Antonio del Pollaiuolo|year=1470s–80s|access-date=02 November 2023|publisher=Cleveland Museum of Art}}

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email [email protected].

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.

You are here:

Images

Battle of the Nudes

Battle of the Nudes

Antonio del Pollaiuolo

Location

Download and Share

Did you know?

Description

Contact us