Description

Belkis Ayón worked almost exclusively in collography, a printmaking technique in which a three-dimensional plate embosses designs into paper, to depict the subject seen here: Abakuá, a secretive fraternal society established by African slaves in 19th-century Cuba. Because the founding myths of the group were not well known and it had no visual tradition, Ayón invented her own. Here, a faceless figure—presumably Sikán, a princess sacrificed following an act of betrayal in Abakuá mythology—floats imposingly above three initiates.